Leader Projects
Brian Drye - Trombone & Compositions
Matt Pavolka - Bass
Jeff Davis - DrumsAlbum Artwork by Brandon Houghtonbrian drye trio
brian drye’s trio love call
Brian Drye - Trombone, Compositions
Hank Roberts - Cello, Voice
Ches Smith - Congas & PercussionArtwork by Dana Lyn
brian drye & Bizingas
Brian Drye - trombone, piano, synthesizer, compositions
Kirk Knuffke - cornet
Ches Smith - drums
Jonathan Goldberger - guitarPhoto by Michelle Arcila“One of the best introductions to a new band, and a pretty new aesthetic…” Ben Ratliff – NY Times“…A NEW GENERATION OF FEARLESS IMPROVISERS…A BOLD NEW FUTURE FOR JAZZ AND IMPROVISED MUSIC.” TROY COLLINS – All About Jazz“A touch of R&B - hard-pounding drum beats and guitar fills that bounce from Rockabilly to Psychedelic.” Ken Waxman - The Jazz Word“Powerful brass sounds with the raw aesthetics of art rock...a deconstructed quartet of talented musicians brought together by innovation and merry prankster energy.” - Daniel Lehner, All About Jazz[Brian Drye’s] boisterous slush meshes perfectly with Knuffke’s sharp classical technique; contrasts elegantly with the gritty, ringing indie-rock textures of Goldberger’s guitar and Smith’s animalist but melodic attention to the beat.” Clifford Allen - Ni KantuCollaborator Projects
JabberClaw
Brian Drye - Trombone
Jon Arkin - Drums
Mike McGinnis - Clarinet, Bass Clarinet Artwork by Dana Lyn
the four bags
THE FOUR BAGS are a captivating blend of astonishing tonal colors, mind-bending improvisations, and covers ranging from Schoenberg to 30’s Brazil. Their third record Live at Barbès captures them on their home turf playing to an audience of noisy hipsters, unanswered cell phones, and breaking glass.Brian Drye - Trombone
Jacob Garchik - Accordion
Sean Moran - Guitar, Baritone Guitar
Mike McGinnis - Clarinet, Bass Clarinet
Photo by Peter Gannushkin
oceanstate
Brian Drye - Trombone, Wurlitzer, Hammond Organ
Eric Hastings - Drums, Percussion, Hammond Organ
Photo by Meredith HastingsIn the summer of 2020, as the initial wave of the pandemic brought New York City and Broadway to a sudden, indefinite standstill, Brian Drye decamped with his young family to his childhood home in Westerly, Rhode Island.
Once there, Drye reconnected with drummer Eric Hastings. Forming a trusted "bubble" for the season, their families spent the summer sharing normal days—sunsets at Misquamicut Beach (captured beautifully on the album’s cover) and quiet nights at Hastings’ home in Providence.
But the true creative engine of that summer ignited after hours. Once the children were asleep, Drye and Hastings would retreat to The Grapevine, Hastings’ home studio, to improvise, experiment, and play. Out of those late-night, locked-down sessions of pure creative necessity, Ocean State was born—a striking capsule of friendship, isolation, and unyielding musical connection.